Realse Date - Script

Realse Date

SCRIPT

INT. JAYDES ROOM. NIGHT

JAYDE is looking at the bag of money having flashbacks of the previous year.

EXT. JAYDES FLASHBACK. NIGHT

JAYDE and THOMAS are running with police sirens in following them.

THOMAS

Take the money and run!

JAYDE

What about you?

INT. JAYDE ROOM. NIGHT

The flashback ends and JAYDE picks up the bag of money.

JAYDE

I got to go pick up THOMAS

GRACE

Not again, don’t go into that cycle

JAYDE

I owe him, if it wasn’t for him, I’d be locked up and you and me wouldn’t be together

JAYDE walks out the door with a cutaway to THOMAS walking out of the prison gates.

THOMAS

Yo Bruv

JAYDE

Yo

THOMAS

How’s mum coping? She didn’t sound too good on the phone

JAYDE

Mum just wants you to wake up and realize that life isn’t all about guns and money

THOMAS

Yeah yeah I hear that, you got the money for me?

JAYDE drops the bag of money on the floor.

THOMAS

Yes Bruv, so we’re back on this thing?

JAYDE

(Stutters nervously)

I I I

INT. JAYDES FLASHBACK IN THE ROOM.

JAYDE

I told you already I wouldn’t go back. Look what we’ve got right here

GRACE

Promise?

JAYDE

Promise!




8 Millimeter

INT.  MIAMI AIRPORT, TERMINAL -- DAY
Amongst the weary tourist families and solitary businessmen
sits TOM WELLES, middle-aged, hair neat, suit crisp and
sipping soda from a paper cup, watching an ARRIVAL GATE.
gray.  He's eating crackers from a cellophane package,
 
 

     AT THE GATE

     PASSENGERS arrive: the paunchy, graying men of First Class
g along.

     ACROSS THE TERMINAL

     Welles gets up and F
leading the pack, except for a handsome YOUNG REPUBLICAN
     poster boy hurryi
nOLLOWS...

     EXT.  MIAMI AIRPORT, CURBSIDE -- DAY

     Welles comes outside, squinting in the sun, moving down the
Welles moves to the nearby TAXI STAND...

     
sidewalk, looking back over his shoulder...

     The Young Republican is lead to a waiting LIMO by a DRIVER.

   
 INT.  TAXI -- DAY

     Welles gets in, turning in his seat to watch behind.

                             CAB DRIVER
               Where to?

et
               too close, don't let it get too far
       
Welles keeps watching, sees the limo pull away and pass.

                             WELLES
               Follow that limousine.  Don't 
g        away.  Just keep with it.

                             CAB DRIVER
               You kidding?

                             WELLES
               Nope.

R
               Uh, listen... you're not supposed to
   
The cab set in motion.  Welles takes out cigarettes,
     lighting one, takes out a small NOTEPAD and makes notations.

                             CAB DRIV
E            be smoking in here.  I'm sorry,
               that's company policy...

                             WELLES
               How about this... every cigarette I
               smoke, I give you five dollars?

the Young Republican steps out. 

     
CAB DRIVER
               Okay... okay, yeah, that'd be good...


     EXT.  MIAMI BEACH, "GOLD COAST" -- DAY

     In front of an Art Deco hotel, the driver opens the
     limousine door and
 ACROSS THE STREET 

     Welles watches from inside the double-parked taxicab. 


     EXT.  MIAMI BEACH MOTOR LODGE -- DAY 

     Not exactly four-star.  "AD LT MOVIES EVERY ROOM." 

     INT.  MIAMI BEACH MOTOR LODGE -- DAY

.  He
     watches some fuzzy ESPN on the t.v., looks at his
Welles is asleep on the bed, full dressed, hands folded
     across his stomach, snoring lightly, sweaty. 

     INT.  MIAMI BEACH MOTOR LODGE, RESTAURANT -- DAY 

     Welles sits alone at the bar, eating a sandwich, bore
d watch. 

     EXT.  MIAMI BEACH MOTOR LODGE -- DAY 

     Welles walks across the parking lot, gets into his RENTAL
     CAR, starts it and drives away. 


EXT.  MIAMI BEACH DISCOTHEQUE -- NIGHT